Corey Arnold
By Rebeka Schmieder
Corey Arnold is both a photographer and a commercial fisherman in Alaska. He studied at the Academy of Art in San Fransisco, CA. During the summer he worked as a fisherman. His first love is fishing and his second love is photography. When he was a kid his dad showed him how to fish and later on his dad introduced him to a camera. His work is a documentary expose on fisheries in Alaska and Europe. His images explore both his personal relationships with his co-workers and also the strenuous work fishermen encounter everyday. Arnold's photographs have been published in a number of magazines, including
Time LENS magazine, Esquire. The New Yorker.
His ongoing series
Fish Work:The Bering Sea documents his work on multitude of fishing boats, some of which he owes, and on larger vessels as well. It is important for Arnold to accurately present the story of the hard work and danger encountered by fisherman. He would shoot between work and sleep.
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Untitled |
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Gulf Crossing |
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Opilio Bed |
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Between String |
The photographs are visually elegant, and sometimes shocking. The photo Opilio Bed is both disturbing and humorous. Arnold does a fantastic job of capturing emotions of the workers. He reveals that it is not always dangerous, sad and dreary work, there are moments of fun among the workers. His work presents all aspects of working on a fishing boat.
In another series, Arnold focused on life outside of commercial fishing.
Graveyard Point documents the residents of a small village in Alaska. The series combines landscape and portraiture.
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The Graveyard Hotel |
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Kvichak Exploratory Committee |
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Bobby after the Shooting |
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Ben and King |
Arnold documents the unique individuals of this dying community. Despite the appearance of a ghost town, scenic documentary shots and portrait of the residents bring life and character to
Graveyard Point.
Arnold's work inspires my documentary work because he manages to do both photography and fishing in equal measure. It's refreshing to see that he did not give up one dream to live out the other. I would like to think that it would be possible for me to do this with my own work.
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